In the hushed ambiance of a lounge near London's Royal Ballet, Matthew Ball orders a mint tea. His carriage is effortlessly upright, his limbs muscular beneath a plain white T-shirt. During performances, ballet dancers can appear as powerful gods, yet frequently in person they are petite. This is not true for Ball, whose tall stature is one reason for his demand for heroic roles and partnering. Possessing delicate features and piercing eyes, there's a touch of a brooding actor about him.
An Apparent Rise to the Pinnacle
Now 31, Ball is enjoying the crest of a career that has advanced smoothly. Raised in Liverpool, he faced minimal teasing for his childhood interest in ballet. Joining the esteemed training institution at 11, he moved directly into the company and was advanced each year, attaining the highest position of principal in 2018. He has loved tackling meaty characters, especially the emotional angst found in Kenneth MacMillan's ballets.
"Your lungs are burning, your legs get heavy, but it’s really a mental fatigue."
Ball's next starring role is in a talk, in an "Evening With" series aiming to offer intimate insights into a performer's craft. He will guide the crowd through a role, demonstrating his mental process while performance. Even in more comedic ballets, the challenge is significant. "A classic ballet is one of the most demanding technically," he states.
The Mental Game and After the Show Emotions
What about following a show, when he has succeeded? "It feels pretty good," he says. "However because I'm trying to extract all the emotion out of it, and get immersed in the character, frequently I do feel self-conscious afterwards. After an intense role I'm always like: Wow, what must people think?"
In person, Ball is reflective, mild-mannered, and quick to laugh at himself. But a dance maker once observed on a "kind of suffering in him." Is there? "I am very active usually, but I do have a melancholy streak," he reveals. "I kind of enjoy negativity sometimes. I've always felt that doubt has been an catalyst for good change."
Formative Motivations and Creative Influences
His determination stemmed from youthful setbacks. Not excelling in contests at school made him "driven!" This became fuel to prove he could achieve. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It flipped a switch, it made me go a bit obsessive," he recalls.
The next endeavor is making his own dance works. For Ball, "organic movement has value." "Breaking the rules is interesting, but just pretending that they’re not a thing any more – I don’t know how far you can go with that." He wants his work to be filled with substance, drawing ideas from books, compositions, and art.
Intimate Performance and Personal Dynamic
He also is interested in staging dance in smaller venues. "It was just really exciting," he says of a past show. "You’re so close to the viewers. I felt as if they were thinking: 'That’s a human, and they’re perspiring.'"
Ball has made duets with his partner, fellow lead dancer Mayara Magri. The degree of trust between them is evident. "We first practiced on a beach," he says of a audacious lift. "It was like Dirty Dancing." The couple aren’t usually paired on stage at their main theater, which is perhaps healthy. "We’re both quite strong-willed people, so it’s not always hunky dory," he notes. "Yet I feel like we’re each other’s biggest cheerleader."
Regarding Instagram and Bodily Image
On social media, fans can see videos from his dance films and images that showcase a athletic physique. Does he care that the response can be a bit focused on appearance? Not really. "The body is just what we use, so I don’t feel very protective about it," he states. He relates it to viewing Michelangelo’s David—an object that can be interpreted on various levels.
Ball characterizes his early self as "desperate for success." Has it met his hopes? "I am conscious of how reality is a separate reality to the dreams you had as a young person," he muses. He likely has about ten years of performing ahead. "I suppose in the future, I want to be a bit more kind with myself."